When triggered to record again, the internal RAM of the Miro is wiped while saved Cine’s rest safely on the CineFlash.
The way the camera is able to shoot such high-speed footage is by saving recorded clips - called Cine’s - to its internal RAM first before transferring the Cine’s to the CineFlash. It’s available in sizes of 60 GB, 120 GB and 240 GB. Though it sits inside the camera body, it is removable and works a lot like a memory card. The Miro shoots exclusively to a proprietary SSD created by Vision Research called the CineFlash. Problems with Phantom Miro Workflow and OS Xīefore we get into the nitty gritty of file systems and command lines, it’s important to take a look at the production workflow of the Phantom Miro.
#Miro video converter mac 10.5 how to
So you have two options if you want to use a Miro with a Mac: either pay for some plugins or use this free method I’m going to show you today. If you want to pay, stop reading and go here.īut if you think free sounds pretty nice, keep on reading and I’ll show you how to read, write, transfer, and re-format the CineFlash hard drives used with the Miro on your Max OS X system. Specifically, a PC-based workflow because Vision Research doesn’t provide Phantom support to Macs. That’s not a problem for some, but it can be for those used to pushing their footage through a Mac pipeline. Unfortunately, shooting Phantom means dealing with a clunky workflow. And their newest line of cameras - the Miro M-Series - continue that dominance. Vision Research’s Phantom cameras have almost no competition in the ultra high-speed digital cinema realm.
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